Albert |
Lin |
· Pianist · Accompanist · Arranger ·
“Lin’s technical capabilities are of a high order...his performance convincingly
clear.” – John Howard, The Arts Magazine.
“He displayed jaw-dropping virtuosity, and played with the consummate
grace of a poet.” – The Flying Inkpot.
Albert Lin’s rousing success at his debut recital at
the Victoria Concert Hall, under the auspices of the National Arts Council,
has earned him praise and recognition for his technical prowess and
interpretive sensitivity. His
ingenuity in the programming, which included the first public performance in
Singapore of US composer Lowell Liebermann’s Gargoyles, was hailed as
“a valiant enterprise.” Since being introduced to the
instrument at the age of three, he has concretized widely and often receives
high accolades for his performances.
While under the tutelage of Ong Lip Tat, he was heard by Ruth
Slenczynska and impressed her with his technical maturity. In 1995, he was awarded the 3rd
prize at the National Music Competition Piano (Open) category. That same year, he was the youngest
undergraduate accepted into the Peabody Institute of Music in the U.S.A.,
rejecting a scholarship from the Eastman School of Music to study with Marian
Hahn at Peabody. At the institute, Lin was actively
involved with chamber ensembles, and established himself as a committed
collaborative pianist. Being a highly
sought-after accompanist for his ability to sight-read difficult music, he
also performed and traveled with all the major ensembles. In 1996, he toured New York and Baltimore
with Grammy-Award-winning percussionist, Jonathan Haas, giving the premieres
of works by Robert Miller and Peter Schickele (of P.D.Q. Bach fame.) As the only undergraduate student of
Maestro Frederyk Prausnitz, he helped found the conducting consortium at
Peabody. From 1997-1999, he studied with esteemed pedagogue Arthur Greene at the University of Michigan. While he thrived under the guidance of Professor Greene and garnered an impressive repertoire of the piano literature, he never neglected his passion for chamber music, having been coached by Anton Nel and Martin Katz. He was invited to hold recitals in the halls of California, New York, and Michigan. He has also appeared as guest soloist with the Rochdale Youth Orchestra and UWS Symphony Orchestra in Brooklyn, New York, performing the Rachmaninoff Piano Concertii No. 2 and 3 within 6 days. In 1999, he placed as a semi-finalist at the California International Young Artists Competition in Escondido, San Diego. He has worked
with renowned musicians such as Juanelva Rose, Harland Parker, Alessandro
Mascolo-Davids, Peter Langrand, Mihaly Virizlay, Su-Chen Chen, and the
Peabody Trio. |
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